Metaphors via Edward Bulwer-Lytton

Edward Bulwer–Lytton, an English novelist, playwright, politician, and pretty respectable aphorist, is famous for composing what has come to be universally regarded as the most awful opening line of any novel ever written: “It was a dark and stormy night; the rain fell in torrents—except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.” This is the opening of Paul Clifford, published in 1830, and the inspiration for the Bulwer–Lytton Fiction Contest, an annual competition organized by the English Department of San José State University to write “the opening sentence to the worst of all possible novels.” The latest winner (sic) is:

For the first month of Ricardo and Felicity’s affair, they greeted one another at every stolen rendezvous with a kiss—a lengthy, ravenous kiss, Ricardo lapping and sucking at Felicity’s mouth as if she were a giant cage-mounted water bottle and he were the world’s thirstiest gerbil. —Molly Ringle

Mixed metaphors and outlandish metaphors may be stylistic faux pas, but they are nevertheless brilliant examples of metaphorical thinking. They give so much pleasure because of the joy we find in making sense of seeming absurdity. However far-fetched these comparisons may seem, we can still make sense of them. And because we have to work so much harder to do so, they deliver even greater pleasure. So feast your eyes and minds of some of the other awful first lines honored by the Bulwer-Lytton judges…

She walked into my office wearing a body that would make a man write bad checks, but in this paperless age you would first have to obtain her ABA Routing Transit Number and Account Number and then disable your own Overdraft Protection in order to do so. —Steve Lynch

Elaine was a big woman, and in her tiny Smart car, stakeouts were always hard for her, especially in the August sun where the humidity made her massive thighs, under her lightweight cotton dress, stick together like two walruses in heat. —Derek Renfro

The Zinfandel poured pinkly from the bottle, like a stream of urine seven hours after eating a bowl of borscht. —Alf Seegert

Cynthia had washed her hands of Philip McIntyre – not like you wash your hands in a public restroom when everyone is watching you to see if you washed your hands but like washing your hands after you have been working in the garden and there is dirt under your fingernails—dirt like Philip McIntyre. —Linda Boatright

And finally this one, from an author in Drexel Hill, PA, where I was born and raised (must be something in the water):

Leaning back comfortably in a plush old chair, feet up, fingers laced behind his head, Tom Chambers inventoried his life and with a satisfied grin mused, “Ah, marlin fishing off the coast of Majorca, a bronze star for that rescue mission in Jamir, the unmatched fragrance of pastries fresh out of the oven at Café Legrande, two sons who would make any father proud … I’ve never done any of that.” —Ernie Santilli

Business Aphorisms from the Ferengi

As the Trekkies among you will know, the Ferengi are an alien race inhabiting the universe of Star Trek: The Next Generation. The name Ferengi is apparently derived from the Arabic word for European traders, or Westerners in general. The Ferengi are consummate businesspeople—in fact, they believe that money, or at least economic exchange, really does make the worlds go around—and they devised an aphoristic handbook called the Rules of Acquisition that outlines the fundamental principles for Ferengi business dealings. The rules are appropriately pragmatic:

War is good for business.

Peace is good for business.

This kind of opportunism likely won’t win you many friends, but it certainly influences people. The Rules of Acquisition are refreshingly utilitarian. Even though they come across as unpalatable, well, truth usually is. It’s helpful to be reminded of this, especially during troubled economic times. Despite their extraterrestrial origin, the Ferengi aphorisms are not out of this world but very much of it.

Opportunity plus instinct equals profit.

Greed is eternal.

Expand or die.

The bigger the smile, the sharper the knife.

Whisper your way to success.

Employees are the rungs on the ladder of success. Don’t hesitate to step on them.

You can’t free a fish from water.

Aphorisms by Eino Vastaranta

Eino Vastaranta, born in 1967, is a Finnish aphorist who also writes humorous columns, jokes, and haiku. He lives and blogs in Helsinki. Vastaranta’s sayings have that distinctive, uniquely Finnish streak of dark wit, the same kind of gallows humor that characterizes many aphorisms from Central and Eastern Europe. But the Finns are, in general, even bleaker in their assessment of the human race. “When the next Flood comes, I wish the animals pushed Noah overboard,” Vastaranta writes. Yet there is a whiff of mysticism in Vastaranta’s aphorisms, perhaps even a (faint) hope of redemption. And, luckily, they are often funny. My thanks to Sami Feiring for alerting me to Eino Vastaranta’s aphorisms.

Always look from the same viewpoint: a new one.

We don’t believe until we see, and we don’t see once we believe.

Human being, inhuman doing.

I can’t see the forest for the cut-down trees.

Search and you shall find—yourself, searching.

You cannot get rid of your roots until you are six feet under.

You can have the last word. Then it’s my turn.

Aphorisms in the Latest Issue of FragLit II

The latest issue of the excellent FragLit Magazine is out and it includes aphorisms by Georges Perros and Marty Rubin; the latter being an alum of this blog. FragLit is edited by Olivia Dresher, an accomplished aphorist herself. Of Perros, FragLt writes: “Papiers collés (Paper Collage, 1960, 1973, 1978), the three-volume notebook written by Georges Perros (1923-1978) and published by Gallimard, continues to enjoy a cult status among French readers because of the author’s sardonic maxims, vignettes, short prose narratives, and philosophical remarks. Excerpts are translated here for the first time in English by John Taylor.” Some Perros aphorisms:

Once we have learned the answer, we often say: that’s what I thought. Thinking is perhaps this.

Life is every now and then.

Here is the full FragLit selection of Perros aphorisms.

Marty Rubin’s aphorisms continue to be whimsical, witty, and wise:

Between thoughts, travel far and wide.

Writing is talking to yourself—with the hope of being overheard.

When you look into things you see things that aren’t there.

Here’s the full Fraglit selection of Rubin aphorisms, Out of Context.

Four of my Assays, abbreviated aphoristic essays, appear in this issue, too.

In the poem/essay Why Aphorisms?, Stephen Coltin writes:

In matters of the highest importance,
only fools are edified by exposition.
Philosophers (if I might be permitted
to amend Samuel Johnson’s aphorism),
“need to be reminded, more often
than they need to be instructed.”

Aphorisms by Sami Feiring

Sami Feiring is a Finnish aphorist, a teacher of aphoristic technique, president of the Aphorism Association of Finland since 2005, and a founding member of World Aphorism Organization. He curates the Finnish Aphorism site, where a selection of Finnish aphorisms is available in translation in several languages. He also compiled an index to Geary’s Guide, in which aphorists can be searched for by country. (You can download the index from Sami’s ‘Modern Gnomologists’ listing on the What Is Gnomology? page.) Sami shares with many of his aphoristic compatriots a focus on social and political issues; a concern for social justice and political rectitude runs through many Finnish aphorisms. And, of course, there is always that tinge of existentialism around the edges. Reading these aphorisms you get the sense that the extraordinary lurks behind the everyday, that a leaky faucet may be a prelude to the Flood…

God rested on the seventh day. Do skeptics get a day off?

Power-hungry politicians eat their words.

Knowledge is power, especially when you conceal it.

The biggest lies come in the most attractive packaging.

When politicians stumble, soldiers fall.

If nature could speak, it would remain silent.

Uniforms are body bags.

The Flood will dry our tears.

If Hell went bankrupt, Heaven would have fewer customers.

Dreaming opens your eyes.

Aphorisms by Mason Cooley

Alfred Kelly alerts me to the aphorisms of the late Mason Cooley, a professor of literature at the College of Staten Island and Columbia University, who died in 2002. There is not a lot of info about Cooley online, but the Cooley listing on poemhunter.com runs to over 200 pages and, by Mr. Kelly’s count, contains some 1,500 sayings. Cooley published a series of collections called City Aphorisms, which seems to have run at least for nine separate “selections.” Wikiquote also has a compact list of Cooleyisms. Cooley has a number of aphorisms on aphorisms, including

In an aphorism, aptness counts for more than truth.

The laughter of the aphorism is sometimes triumphant, but seldom carefree.

Writing an upbeat aphorism is a temptation, but decorum forbids.

A selection of his other sayings follows. My thanks to Alfred Kelly of Hamilton College, one-time academic haunt of the great aphorists Josh Billings and Ezra Pound, for alerting me to Mason Cooley.

Wisdom remembers. Happiness forgets

Reality is the name we give to our disappointments.

The Insignificance of Man is a congenial theme; my own insignificance is a sore point.

Passion impels our deeds; ideology supplies the explanations.

By multiplying ironies, I evade commitments.

Don’t tell me it’s raining when you’re peeing on me!

Aphorisms by Nick Piombino

Nick Piombino is a poet, essayist, psychotherapist, and aphorist. In Contradicta: Aphorisms, he has written sayings that “replicate some aspects of psychoanalysis in which two individual viewpoints are juxtaposed, working together to achieve understanding and insight.” Aphorisms themselves can be considered a kind of reading cure, if not exactly a talking one. Reading a good aphorism is a mini-psychotherapeutic session, in which the aphorism asks you often uncomfortable questions and you have to come up with the answers. Not something to take lying down, but definitely something to make you sit up and look around with a new perspective. The brief selection of aphorisms below is culled from Piombino’s blog; he also tweets. My thanks, as usual, to Jim Finnegan, proprietor of the always enlightening ursprache blog as well as the aphoristically amazing Tramp Freighter, for alerting me to Nick Piombino’s aphorisms.

Even time stops for a moment, to bow, astonished, to real happiness.

The best winners learn much when they lose, the great discoverers are challenged when lost, to know having is to feel deeply when bereft.

If memory is the cake, nostalgia is the icing, the icing that no one can resist licking off their fingers.

Success consists of 1% holding forth and 99% holding back.

More Aphorisms by Steven Carter

You’ve read his oxymorons, you’ve read his parables, and you may well have read a previous selection of his aphorisms (but, alas, I can’t provide a link since that post disappeared in a catastrophic site crash), and now you can read more of Steven Carter’s aphorisms, from his New Aphorisms and Reflections, first and second series. “My own definition of an art form … is that it ought to permanently alter your way of looking at yourself and the world,” Carter writes by way of introduction. “This is a tall order, but it’s happened to me after looking at many Picassos, attending and teaching many plays by Shakespeare, viewing many films by Ingmar Bergman—and, yes, reading many aphorisms by authors like Francois, duc de la Rochefoucauld, Joseph Joubert, Blaise Pascal, Friedrich Nietzsche, Franz Kafka, E.M. Cioran, Karl Kraus, Vilhelm Ekelund, and Fernando Pessoa.” I, of course, couldn’t agree more. So here’s another opportunity to permanently alter your way of looking at yourself and the world…

Not only can you argue with success, you should argue with success—as with an adversary.

Opportunity doesn’t knock. It’s slipped under the door surreptitiously, like a billing statement in a hotel.

Babies are born bald and serious. They know what’s coming.

Language is what happens when love and war fail.

Only aphorisms which famish fill us up.

Aphorisms and Metaphors by Randall Jarrell

Pictures from an Institution is Randall Jarrell‘s novel of academic farce. The book is supposed to be based on Jarrell’s own experience teaching at a progressive New England girls’ college in the 1950s. The novel is not really a novel at all, but a series of witty and cutting character sketches, very much in the vein of Characters by Jean de la Bruyère. Bruyère was a close observer of 17th-century French court life, and all the pageantry, pettiness, and political intrigue provided him with ample material for his Characters. Jarrell was a close observer of mid-20th-century academic life, and keenly skewered all its political intrigue and pretentiousness.

Pictures from an Institution is rife with epigrams, aphorisms, and brilliant metaphors. Jarrell’s metaphors, in particular, are excellent case studies in the power of figurative language to convey the most precise image of a thing by describing that thing in terms of something it is not. For example, the unctuousness and politically correct blandness of the president of Benton, the fictitious college at which the book is set, is deftly conveyed by the following:

His voice not only took you into his confidence, it laid a fire for you and put out your slippers by it and then went into the other room to get into something more comfortable … Not to have given him what he asked … would have been to mine the bridge that bears the train that carries the supply of this year’s Norman Rockwell Boy Scout Calendars.

Jarrell is also extremely skilled at deploying metaphor to create a kind of emotional valence around his characters, as in these descriptions of one of Benton’s teachers:

She was a bow waiting, in dust and cobwebs, for someone to come along and string it; and no one came, no one would ever come.

Somehow, after almost sixty years in it, the world had still not happened to her, and she stood at its edge with a timid smile, her hand extended to its fresh terrors, its fresh joys—a girl attending, a ghost now, the dance to which forty years ago she did not get to go.

Among the all-time greatest descriptions of physiognomy, surely this line must find a place:

Mr. Daudier had been pushed up and down New England several times, head-first, by a glacier; this face was what was left.

Plus, Pictures from an Institution is just strewn with excellent aphorisms:

In a face that is young enough almost everything but the youth is hidden, so that it is beautiful for what is there and what cannot yet be there.

Strangers are best to fool, but home-folk are the nicest to show off to.

People eat and sleep and live all year, but they are educated only nine months of it.

Nostalgia is the permanent condition of man.

The same water runs a prayer-wheel and a turbine.

A way of life is a way of escaping from perception, as well as of perceiving.

It is better to entertain an idea than to take it home to live with you for the rest of your life.

Aphorisms by Brian Jay Stanley

Brian Jay Stanley is a practitioner of the long-form aphorism, a strand of aphoristic technique pioneered by people like Balthasar Gracian and Arthur Schopenhauer, a variant that borders on the parable but pulls up well short of the essay. Mr. Stanley’s Aphorisms and Paradoxes are outstanding examples of the form. An interesting aspect of the long-form aphorism is that the complete text, in Mr. Stanley’s case, usually around a dozen sentences in length, is inevitably studded with discrete individual aphorisms that could easily stand on their own. Ralph Waldo Emerson did this all the time; he actually wrote full-length essays, but the essays themselves were accumulations of self-contained aphorisms. Mr. Stanley’s “Fellowship or Freedom” is like this, too, by my count consisting of at least a half a dozen good aphorisms:

Human nature needs both fellowship and freedom, but usually we must choose. The more we encircle ourselves with others, the more we handcuff our will. Ask for help on a project at work, and it will not be done exactly how you want. Marry, and your holidays will be spent at in-laws’. Have children, and you will listen to their music in the car instead of yours. But worship your freedom, and you will be an empty temple. A bachelor’s life resembles a widower’s. Write, sing, or paint the way you please, disregarding the market’s demands, and you will be your own and only audience. Travel wherever you want, whenever you want, and you will go alone. Fellowship imprisons us, freedom exiles us.

Just as often, the long-form aphorism has the same delivery mechanism as a joke: a fairly long build-up followed by a concise punchline. Take Mr. Stanley’s “Against Living in the Present” as a case in point:

Poets exhort us to savor life by forgetting the past and future and living wholly in the present. Yet I find that living in the present is precisely what hinders appreciation. During the week, I live solely in the present. I eat, work, eat, sleep, repeat. My world is circumscribed by my commute; my mind’s range is limited by my body’s. Do not animals live wholly in the present? In the weekend’s pause, I read a Balzac novel and emigrate to history for an afternoon. I think of the great populace of the dead, see my life in the context of Life, gain depth of emotion through breadth of imagination. As travelers in foreign countries think fondly of home, we must be conscious of other times to love our home, the moment. Living fully in the present requires living partly in the past.

These kinds of long-form aphorisms are like holograms: The whole picture can be reconstructed from any single part of it. In this case, the entire aphoristic essay is contained in the last line.

Mr. Stanley works as software developer and has master’s degrees in library and information science as well as theology. His aphorisms tell it like it is, both the long and the short of it.

A Hobby is Work for Work’s Sake

To know someone truly, look at what he does when no one is paying him. My wife makes jewelry, my father gardens, I write, my grandfather cleared brush from the woods by his house. Seeking the common core of varied hobbies, I notice in all a devotion of effort toward a self-imposed goal. To accomplish something is every hobby’s purpose, but what is the purpose of the accomplishment? We are less interested in the accomplishment than the accomplishing. Hobbies express an entrenched urge to create, to add patches of order to the universe. In our hobbies as in our careers, we stack the world’s raw scraps into meaningful shapes—arranging dirt into flower beds, stones into necklaces, words into paragraphs. We curse a Saturday that sees no progress on our projects, not because anyone needs what we produce, but because we need to produce. At work we long for leisure; in leisure we keep working.

We Were Gold Medalists in the Sperm Olympics

A man ejaculates around 300 million sperm in sexual intercourse. That means on the night each of us was conceived, 299,999,999 other sperm were vying for the finish line with the one sperm that became us. A wrong turn down the fallopian tube, a faulty flip of the tail, and one of the hordes of barreling competitors would have outswum us, won the trophy of our mother’s egg, and would now be living our life instead of us. How easily this planet might have been home to a completely different set of inhabitants!

Nothing we will ever accomplish in life—not if we win a Heisman trophy, a Nobel Prize, or the presidency—can compare to the improbable victory we achieved to get here.

Luxury is Multiplying the Basics

Most people daydream of wealth as a marble staircase to happiness, but on a recent tour of the Biltmore House in Asheville, North Carolina, I was disappointed to discover that money does not buy a different life, but a larger portion of the same life—a somewhat roomier finitude. Instead of two or three bedrooms like most homes, the mansion has thirty five. Yet still, what can one do in them but sleep? By the time I had seen the fifth sitting room, each with innumerable chairs and sofas of countless shapes and upholsteries, I realized that wealth gives no help for ennui except a choice of which chair to be bored in.

Morning Depression

My mornings begin with fifteen minutes of depression. Startled from slumber’s nothingness by my alarm, I see what I must do today, but not why I must do it. My mind is as calm as a Buddha’s, examining my planned activities with passionless clarity, surveying life without yet quite belonging to it. All my business has an air of empty busyness. Toasting breakfast, commuting to work, responding to emails—all normalcy seems a costume of the preposterous.

By the time I step from my shower, my philosophic why? has given way to what order should I run my morning errands? Practicality clouds my clairvoyance, curing my depression not with hope, but a to-do list. Small thoughts rescue me from large thoughts.