Aphorisms by George Santayana

Jim Finnegan, proprietor of the always enlightening ursprache blog as well as the aphoristically amazing Tramp Freighter, sends news of a new book on philosopher-aphorist George Santayana: The Genteel Tradition in American Philosophy and Character and Opinion in the United States. This article from City Pulse describes the book, a collection of scholarly essays, and includes the Santayana sayings listed below. Santayana (pp. 346–347 in Geary’s Guide) led a life completely dedicated to literature, thanks in part to a hefty inheritance from his mother. He studied and taught at Harvard, where William James was a fellow student and T.S. Eliot and Wallace Stevens were his pupils. An atheist, he spent the last decade of his life in a convent in Rome, cared for by the nuns. I recently came across Atoms of Thought, an aphoristic compilation of excerpts from Santayana’s books, published in 1950. It’s a kind of anthology, with the excerpts arranged under key categories and themes. Santayana is distinctive for having coined several phrases that have become proverbial, like

Progress, far from consisting in change, depends on retentiveness. Those who cannot remember the past are condemned to repeat it.

But my favorite Santayana-ism is:

The God to whom depth in philosophy brings back men’s minds is far from being the same from whom a little philosophy estranges them.

Here are the aphorisms quoted in the City Pulse piece:

A child educated only at school is an uneducated child.

America is a young country with an old mentality.

Fun is a good thing but only when it spoils nothing better.

History is a pack of lies about events that never happened told by people who weren’t there.

The Bible is a wonderful source of wisdom for those who don’t understand it.

Aphorisms by Franz Kafka

Jim Finnegan, proprietor of the ursprache blog, read The Zürau Aphorisms of Franz Kafka (Schocken Books, 2006), translated by Michael Hofmann, on a plane recently and sent these thoughts: “The original aphorisms, though known of and posthumously published but only partly, were discovered in a folder in an archive in the new Bodleian Library at Oxford University. It was evident from the care in which they were composed (carefully hand written, numerated and ordered on thin strips of paper) that they were meant to be read as a whole series. In the introduction and the concluding essay to the volume, the Kafka scholar Roberto Calasso gives context to these aphorisms and the period of their undertaking. They were composed by Kafka in 1917-18 during a convalescence and a time of relative ease (except for the torment of household mice), while he was living with his sister in the town Zürau.  As the introduction states, the aphorisms, though few in number (just over a hundred), are a varied lot. Some are short and pithy, as we expect of the aphorism. But quite few run to paragraph length. And some, but not the best of them, delve into theological issues based on Biblical themes. Others are sophisticated philosophical musings. A few are lovely collapsed parables, like this one:

The dogs are still playing in the yard, but the quarry will not escape them, never mind how fast it is running through the forest already.

Strangely, almost none of these aphorisms speak directly about fiction, literature or the practice of writing. This one comes closest:

‘And then he went back to his job, as though nothing had happened.’ A sentence that strikes one as familiar from any number of stories—though it might not have appeared in any of them.

And since that one comes very close to the end of the collection, it might serve as an apt summation for these fleeting illuminations written while Kafka himself was relieved for a time from the obligations and stresses of work; and fitting, too, because the aphorism, as genre, was a type of literary work he never returned to.”

Kafka is featured on pp. 372–374 of Geary’s Guide, but here are some Zürau aphorisms not in my book:

You can withdraw from the sufferings of the world—that possibility is open to you and accords with your nature—but perhaps that withdrawal is the only suffering you might be able to avoid.

Theoretically, there is one consummate possibility of felicity: to believe in the indestructible in oneself, and then not to go looking for it.

He runs after the facts like someone learning to skate, who furthermore practices where it is dangerous and has been forbidden.

In the struggle between yourself and the world, hold the world’s coat.

Leopards break into the temple and drink all the sacrificial vessels dry; it keeps happening; in the end, it can be calculated in advance and is incorporated into the ritual.

There is a destination but no way there; what we refer to as way is hesitation.

Aphorisms by Thomas Fitzgerald

Thomas Fitzgerald has cooked up an original mix of aphorisms (what he calls “the stuff of life”) and bread recipes (what has long been known as the staff of life). Daily Bread consists of 705 original aphorisms and a clutch of recipes from some of America’s foremost bread makers. “We might look upon aphorisms and epigrams … much as we look upon bread,” Fitzgerald writes, “as an essential substance that nourishes us on a most fundamental level, while leaving us with a warm and enduring sense of satisfaction. Indeed, what aphorism or epigram is not a sort of manna wrought from the grist of life itself, smeared over with a most-pleasing confection?” Which only serves to prove what I’ve always argued: Aphorisms are all you really knead.

Every liar must possess in memory what he lacks in conscience.

Anger acknowledged is information; anger acted upon, error.

Humility is the last lesson learned, the first forgot.

A single rose is an expression of love; a dozen, an admission of guilt.

Maturity is wasted on the mature.

He who laughs last laughs alone.

More Aphorisms by Eric Nelson

Eric Nelson, whom you may recall from this 2009 post, is back with some more of his haiku-like aphorisms. Some of these sayings have unmistakeable Zen overtones, such as the aphorism below about the green mountain. Yet others, like the one about chickens and hawks, are much more in the proverbial tradition. An interesting combination, since Zen-like aphorisms tend towards the paradoxical while proverbs are much more matter-of-fact, a mix that gives these poems/haikus/koans/aphorisms a tinge of Eastern mysticism along with a dollop of Mid-Western (or maybe Southern?) plainspeaking.

In the gray brain nothing
Is black or white.

The dead know nothing,
The only thing
You can’t imagine.

A thousand shades of green
Make the mountain
A singular green.

Whether you see them or not
Stars are always there,
Always falling.

If you’ll have chickens
Expect hawks.

Aphorisms by Charles Simic

This just in from Jim Finnegan, proprietor of the ursprache blog: “Charles Simic was born in 1938 in Belgrade, Serbia (Yugoslavia at the time). His family came to the U.S. in 1954 and settled in Chicago. He has published numerous books of poetry and critical prose, and has won major awards for his poetry, a Pulitzer Prize, MacArthur Foundation ‘genius grant’, and the Wallace Stevens Award, among others. He has keen eye for the unusual poetic image and the expressiveness of everyday circumstances. Inflected by philosophical notions and the darker aspects 20th-century history, his poetry has an easy way of blending the profound and comic. In 2008 he published a collection of his aphorisms, The Monster Loves His Labyrinth (Ausable Press, 2008).” A selection of aphorisms from The Monster Loves His Labyrinth:

The new American Dream is to get very rich and still be regarded as a victim.

The infinite riches of an empty room. Silence makes visible what now appears to be the most interesting grain of dust in the whole world.

Being is not an idea in philosophy, but a wordless experience we have from time to time.

Consciousness: this dying match that sees and knows the name of what it throws its brief light upon.

We live in the nameless present convinced if we give things names we will know where we are.

Everything, of course, is a mirror if you look at it long enough.

Check out ursprache for more of Jim Finnegan’s musings…

Metaphors, Aphorisms, and Volcanoes

There is a metaphor and an aphorism for everything, including volcanic eruptions.

In thinking about the eruption of Iceland’s volcano, I was reminded of The Prose Edda, the 13th century Icelandic epic by Snorri Sturluson. The Prose Edda is a handbook for aspiring poets and, according to Snorri, by far the most important thing for poets to know is how to make a proper kenning.

A kenning is a metaphor that replaces a proper name with a poetic description of what that person, place or thing is or does. For example, in ancient Icelandic verse, a sword is not a sword but an “icicle of blood”; a ship is not a ship but the “horse of the sea”; eyes are not eyes but the “moons of the forehead”.

Though invented by ancient Icelandic bards, kennings are still quite common. We use them every day. Simple phrases such as ‘brain storm’ and ‘pay wall’ are basic kennings, as is ‘pain in the ass’ as in you are not you but ‘a pain in the ass’.

Kennings are often among the first metaphors children produce. I remember standing at a window with my eldest son, Gilles, when he was about two. We were looking at a rainbow. He pointed to the sun streaming from behind some dark clouds and blurted out “big sky lamp”, a classic kenning if there ever was one.

So in honor of the Icelandic volcano, it seemed only natural to come up with some appropriate kennings.

Pliny the Younger, writing about the eruption of Vesuvius in 79 AD, described the volcano’s plume as “a pine tree. It rose into the sky on a very long ‘trunk’ from which spread some ‘branches’.” So in kenning form, this eruption could be described as ‘a giant tree of smoke and ash’.

The thing about kennings, though, is that they inevitably reveal our true feelings. If you want to know what you really think of someone or something—your significant other, maybe, or your job—try coming up with some relevant kennings. You might be surprised.

The most appropriate kennings for this eruption, which is overwhelmingly seen in the context of personal inconvenience and financial damage, are good examples of this. So better perhaps than ‘giant tree of smoke and ash’ are kennings like ‘nightmare of air travelers’, ‘disrupter of business meetings and state funerals’, ‘bankrupter of airlines’ maybe, and ‘windfall for train, bus and ferry operators’ certainly.

For me personally, living as I do under one of the flight paths for Heathrow, the best kenning is: ‘silencer of the skies’.

Which is another interesting thing about kennings: They often highlight some seemingly insignificant aspect of an event that later turns out to be decisive. Who could have predicted that, for me at least, the biggest impact of the eruption of an Icelandic volcano would be a few days of peace and quiet?

The eruption of another Icelandic volcano in 1783 is believed to have been one of the causes of the French Revolution, because the ash cloud led to a poor harvest in France and that, in turn, led to even more public unrest. Who can say what the ultimate consequences of this eruption will be?

In all the commentary around the eruption, the most insightful comment I’ve heard came from an Icelandic meteorologist. I doubt he intended this statement as an aphorism, but it certainly is. “Something is happening,” he said, “but we don’t know what it is.”

(Presented at the TED Salon, London, 21 April, 2010)

Aphorisms by Rabbi Rami

Rabbi Rami describes himself on his website as a “holy rascal”, and that seems to me a wholly accurate description. This rabbi’s aphorisms have something of Rumi and Khayyam in them, the whiff of incense mixed with the laughter of the spiritual trickster. Rami, an adjunct professor of religion at Middle Tennessee State University, teaches writing—specifically, aphorism writing—as spiritual practice in the university’s certificate program in writing and at Path & Pen, an annual writers’ conference held at the Scarritt Bennett Center in Nashville. Rami is one of only two other people I know of who teach aphorisms: One is a high school teacher who uses aphorism writing in one of her classes and the other is Sara Levine; you can find out how she uses aphorisms in teaching by watching her presentation at the 2008 aphorism symposium in London. Rami says the goal of his course is “to get people to notice and think about the power of brief writing in their daily lives; to understand how this writing is constructed and how/why it works; and to encourage students to create aphorisms of their own.” To see how Rami achieves all three of these goals in his own writing, read the selection of his aphorisms below. If you want more, as you surely will, follow Rabbi Rami on Twitter.

“Emotions are choices.” Just not ones you get to make.

“In reality nothing is born and nothing dies.” Stop wasting money on birthdays and funerals.

“The only way to see the whole is to step outside of it;” at which point, of course, it is no longer the whole.

Be willing to let anything happen, even if what is happening is that you aren’t willing.

If you think that it’s the thought that counts, try remembering your anniversary and then doing nothing about it.

Detachment is the key to enlightenment, but who cares?

“Don’t allow people to push your buttons.” Wear your clothes inside out.

The difference between being alive and being dead is being able to tell the difference between being alive and being dead.

The Demented Trumpet

On Monday, I finished the final draft of my next book, I Is an Other: The Secret Life of Metaphor and How It Shapes the Way We See the World (published by HarperCollins on February 8, 2011, since you asked…). Listening to the radio this morning, I was struck (the use of ‘struck’ in this sense is a metaphor, by the way; I was not physically assaulted while listening) by the conversation about the new tower, designed by Anish Kapoor, to be constructed in London in time for the 2012 Olympics. In discussing the object, the presenter and guests came up with all sorts of lovely metaphors, just as everyone who has talked or written about it over the past 24 hours has done. Kapoor’s design has been called

a demented trumpet

a twisted G clef

a sisha pipe, or Hubble Bubble

an arterial shape … with vaguely intestinal tubes

You can see a picture of the design here; feel free to send along your own metaphors for it.

The effort to describe this unusual building/sculpture is an excellent example of why metaphor is essential in daily life. We can only come to understand the unknown by comparing it with what is already known, and metaphor is the way we have invented to do this. The paradox and beauty of metaphor is that we can only comprehend what something is but describing what it is not.

Aphorisms in the latest issue of FragLit

The latest issue of the excellent FragLit Magazine is out and it includes aphorisms by Simon May and Daniel Liebert, both alums of this blog and of Geary’s Guide. FragLit is edited by Olivia Dresher, an accomplished aphorist herself. Here’s my current favorite from Mr. Liebert

Jugglers magically replace a moment with the same moment

one of the very few aphorisms about juggling, by the way, (for more from Mr. Liebert follow this link) and from Mr. May:

All ways home are a detour.

(for more from Mr. May follow this link). Grateful acknowldgement is hereby given to Olivia and FragLit Magazine.

Aphorisms by Gregory Norminton

Gregory Norminton describes himself as a “novelist and seated person.” From that sedentary position, he also writes really good aphorisms, which you can peruse on his aptly titled website How to be Awake. Norminton is a fan of E.M. Cioran and La Rochefoucauld and it shows (and I mean that in a good way): Their dark insights into the human condition glitter around the edges of these aphorisms. And like those two great aphorists, Norminton clearly feels no dismal truth is so bleak that it doesn’t also deserve a laugh. Whereas the laughter in Cioran’s sayings often sounds like a wracking cough from a graveyard, and the laughter in La Rochefoucauld is as sarcastic and mocking as it is hearty, Norminton’s laughter is genuinely jolly and a bit wisecracking. He describes his aphoristic agenda thusly: “Is it procrastination or literature? A bit of both, probably. Here you’ll find a selection of aphorisms as they ‘occur’ to me (i.e. once I’ve puzzled over every comma). Enjoy. And observe copyright.” I trust I will have strictly observed copyright while still offering a small selection of Norminton’s most profound procrastinations. Go to How to be Awake to read more.

The failure of extraterrestrial intelligence to contact us may well be proof of its existence.

We declare the person fascinating who listens to us longest.

What’s blindingly obvious cannot be looked at.

A better word for triumph is reprieve.

One day, the messengers of the world will rise up and shoot first.

If a truth falls on deaf ears, does it make a sound?